María Teresa de Borbón y Vallabriga,later Condesa de Chinchón (1783)

Technique: Giclée quality print
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More about this artwork

Welcome to an artistic exploration featuring one of Francisco de Goya's charming portraits, "María Teresa de Borbón y Vallabriga, later Condesa de Chinchón" (1783). This painting captures the innocent grace of a young aristocrat, María Teresa, set against a serene natural backdrop that hints at the majestic landscape of Spain.In this portrait, María Teresa stands poised and elegant, attired in a striking dress that reflects her noble status. The dress itself is a lavish affair; a silvery blue bodice adorned with delicate lace and floral embellishments complements the black, voluminous skirt gracefully held in each hand, emphasizing her dignified posture. Her attire is topped with a traditional mantilla, adding a delicate veil that frames her youthful face, highlighted with a touch of blush and innocent, wide eyes gazing directly at the viewer.Beside María Teresa, a small, fluffy white dog sits attentively, reinforcing the image of her gentle, aristocratic lifestyle and her connection to nature. Behind her, the landscape opens up into softly rolling hills, under a vast, tranquil sky, underscoring the idyllic and peaceful environment of her upbringing.Francisco de Goya, with his masterful brushwork and keen ability to convey depth both in character and scenery, offers more than just a portrait; he provides a window into the soul of his subject and her time. This painting not only depicts the innocence of youth and the splendor of Spanish nobility but also evokes a serene harmony with nature that was cherished during the era.

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Francisco José de Goya y Lucientes (30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.