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weiblicher Akt VII (ca. 1926) reproduction of painting by Karl Wiener. ALL GICLEE PRINTS
weiblicher Akt VII (ca. 1926) reproduction of painting by Karl Wiener. ALL GICLEE PRINTS

weiblicher Akt VII (ca. 1926)

Karl Wiener
Technique: Giclée quality print
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We are proud to present a distinctive piece from our collection, "Weiblicher Akt VII" (ca. 1926) by Karl Wiener. This compelling painting captures the graceful elegance of a female figure observed from behind. The artist's skillful use of watercolors brings a softness and vulnerability to the subject, highlighting the play of natural light across her back and legs. The warm, earthy tones blend harmoniously, setting a serene, introspective mood.The figure's restrained pose and the slight turn of her head add a touch of mystery to her identity, inviting viewers to ponder her thoughts or the gaze she meets beyond the frame. Wiener's attention to anatomical detail showcases his adept understanding of human form, making this artwork not only a celebration of beauty but also a masterful demonstration of technical proficiency.This painting is a wonderful example of early 20th-century European art and reflects Wiener's unique perspective on figurative representation.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Karl Wiener
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Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.

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