Die Brücke (around 1920)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

This captivating artwork titled "Die Brücke," created by the innovative Karl Wiener around 1920, is a stirring example of modernist abstraction. The painting prominently features a stark, angular bridge, which arcs boldly over an enigmatic, textured landscape. Deep blacks and contrasting white patterns lure the viewer into a rhythmic interplay of shapes and textures, enhancing the mysterious quality of the scene.Wiener's use of abstract forms and simplified color scheme highlights the fundamental elements of the design, focusing on the powerful silhouette of the bridge and the dynamic swirling patterns beneath it. These elements might suggest the tumultuous context of the early 20th century, a time of great technological advancement and profound social changes."Die Brücke" invites contemplation on the connections—both literal and metaphorical—that bridges represent. In this work, Wiener may be exploring themes of connectivity, transition, and the overcoming of obstacles, which resonate with the universal human experience.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.