weibliches Porträt III

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

"Weibliches Porträt III" (Female Portrait III), a striking work by the talented artist Karl Wiener, delves deep into the character and essence of its subject through expressive use of shading and detail. This charcoal drawing captures a woman depicted with a solemn, somewhat introspective expression, reflecting a depth of emotion and a strong personality.The artist has skillfully employed soft yet deliberate strokes to highlight the contours of her face, emphasizing the furrows of her brow and the set of her mouth, which together suggest a life rich with experience and perhaps marked by resilience. Her dark attire and the simple headband further focus our attention on her facial expressions, enhancing the overall intensity and impact of the portrait.Karl Wiener’s ability to convey complex human emotions through minimalist but powerful lines and shades makes "Weibliches Porträt III" a compelling piece that invites viewers to ponder the story behind the face. This artwork not only showcases Wiener's masterful control of charcoal but also his profound understanding of human expression.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.