Young Lady Wearing a Mantilla and Basquina (c. 1800-1805)

Technique: Giclée quality print
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More about this artwork

Welcome to our ongoing exploration of masterpieces from the romantic era. Today, we highlight a striking portrayal by the distinguished Spanish artist Francisco de Goya, titled "Young Lady Wearing a Mantilla and Basquina," created around 1800-1805.In this captivating portrait, Goya depicts a young lady dressed in the traditional attire of the period. Her outfit includes a 'basquina'—a form-fitting black dress that enhances her silhouette. Over this, she drapes a 'mantilla', a delicate, lace shawl that is both a symbol of Spanish cultural identity and an emblem of feminine grace. The mantilla is masterfully rendered, with Goya's brush strokes capturing the intricate transparency and texture of the lace.The subject's gaze meets the viewer's, her expression serene yet confident, embodying the grace and dignity of her era. Her cheeks are softly blushed, and her hair is elegantly styled beneath the mantilla, adding to her refined appearance. Goya also pays particular attention to the accessories, including her white gloves and a small fan held gracefully in her right hand, elements that further speak to her social standing and the customs of the time.Francisco de Goya, through his exquisite technique and sensitive portrayal, not only captures the beauty and style of the era but also invites viewers to appreciate the depth and complexity of his subject's character. This painting not only exemplifies Goya's skill as a portraitist but also serves as a window into the fashion and societal norms of early 19th-century Spain.

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Francisco José de Goya y Lucientes (30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.