Naturstudie XLIX (1924)

Technique: Giclée quality print
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More about this artwork

Karl Wiener's "Naturstudie XLIX," painted in 1924, is a mesmerizing watercolor visually capturing the quiet and transitional moments of a sunset. This artwork presents a simple yet profound landscape, where the horizon is marked by a silhouette of a dense, dark forest under a vast, expressive sky. The forest line, rendered in varying shades of deep greens merging into black, suggests the lush, secretive depths of nature in twilight.The sky, a canvas in itself, displays a magnificent gradient from a soft, muted grey at the highest point, gradually transforming into vibrant hues of orange, yellow, and red. This transition suggests the setting of the sun, its last rays casting a warm, fiery glow that contrasts strikingly against the cool tones of the greenery below. The sun itself is depicted as a gentle, glowing orb, slightly off-center, infusing the scene with a tranquil yet poignant light.Wiener employs a blend of watercolor techniques to achieve both softness and intensity in the skies — from wet-on-wet applications that allow colors to bleed and blend into each other, to more controlled, deliberate strokes that define the cloud formations and the gradations of the sunset. The piece evokes a sense of peaceful coexistence between the day and night, with the impending darkness of night gently encroaching on the remnants of the day."Naturstudie XLIX" is not only a celebration of natural beauty but also an invitation to pause and reflect on the daily phenomena that quietly, yet powerfully, mark the passing of time.

Delivery

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Returns

Yes, reproductions can be returned.

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We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.