weibliches Porträt IX

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

We invite you to delve into "Weibliches Porträt IX," a striking work by the renowned artist Karl Wiener, beautifully encapsulating the essence of emotional depth and character study through masterful portraiture. This artwork showcases a female subject rendered in a thoughtful, almost introspective pose, her gaze slightly averted, which invites viewers to ponder the thoughts and emotions swirling behind those piercing eyes.Wiener's use of soft yet deliberate charcoal strokes adeptly captures the contours and subtleties of the subject's face, highlighting her defined cheekbones and the intense expression etched into her features. The earthy tones contribute to the overall solemn and contemplative mood of the portrait, lending it a timeless quality that resonates with viewers.This piece not only reflects Wiener’s skill in capturing the human soul on canvas but also serves as a profound commentary on the inner life of his subjects. "Weibliches Porträt IX" is an exemplary representation of character and mood, making it a noteworthy addition to our collection and a must-see for enthusiasts of fine art and human expression.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.