Erinnerung (1926)

Technique: Giclée quality print
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More about this artwork

"Erinnerung" (1926) by Ernst Ludwig Kirchner is a striking woodcut that captures a haunting interplay of memory and emotion, rendered with bold lines and stark contrasts. This piece, whose title translates to "Memory," presents a deeply personal and poignant scene. Dominating the composition is the vivid profile of a large, stylized face, its features simplified yet expressive, portraying a serene, almost detached demeanor. Below this face, in stark contrast, is a smaller figure, consumed by grief. This figure, hunched and holding their face in despair, seems overwhelmed by the overshadowing presence of the larger figure, perhaps a personification of memory itself.The use of black and white deepens the emotional impact of the image, creating a dramatic and almost cinematic focus on the figures. The background is minimal, directing the viewer's attention to the interaction (or perhaps the tension) between the past and the person it affects. Kirchner’s skillful woodcut technique can be seen in the rhythmic lines of the hair and the simplified forms, characteristic of his expressionist approach."Erinnerung" is more than just a visual representation; it is a reflection on the burden and presence of the past, a theme that finds universal resonance.

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Yes, reproductions can be returned.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Ernst Ludwig Kirchner (1880–1938) was one of the most important German Expressionist painters. He was a co-founder of Die Brücke, a group of German expressionist artists formed in Dresden in 1905. Die Brücke and Kirchner took inspiration from Vincent Van Gogh and Edvard Munch, as well as African and Oceanic art. They used woodblock printing as a medium to showcase their signature style: flat, unrealistic images with vivid colors. The recurring themes in Kirchner's artworks included exotic cultures, faraway landscapes, self-portraits, dancers and Berlin street life. His paintings and prints effectively portrayed non-European cultures despite the fact that he never traveled outside of Europe.