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Reiterin vor einem gestürzten Pferd (1928) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS
Reiterin vor einem gestürzten Pferd (1928) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS

Reiterin vor einem gestürzten Pferd (1928)

Ernst Ludwig Kirchner
Technique: Giclée quality print
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In "Reiterin vor einem gestürzten Pferd" (Rider in front of a fallen horse), created in 1928 by expressionist artist Ernst Ludwig Kirchner, we encounter a dynamic and emotive scene captured with remarkable energy and swift, confident strokes. The artwork features an abstract representation of a female rider and her horse, both depicted in a moment of dramatic tension and apparent motion.The style is quintessentially Kirchner, characterized by its expressive lines and an almost chaotic fluidity that conveys emotion and movement over precise form. The fallen horse is sketched with sweeping, bold lines that suggest its large form and power, even in a state of collapse or rest. Beside it, the figure of the rider is rendered more subtly but with enough detail to suggest her engagement and perhaps distress, standing as she does beside the massive form of her horse.This piece, a prime example of German Expressionism, serves not only as an exploration of form and emotion but also as an evocative narrative captured in mere moments. Kirchner’s skillful use of minimal lines to create a powerful visual story is evident here, inviting viewers to ponder the moments leading up to and following the scene depicted.

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Ernst Ludwig Kirchner
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Ernst Ludwig Kirchner (1880–1938) was one of the most important German Expressionist painters. He was a co-founder of Die Brücke, a group of German expressionist artists formed in Dresden in 1905. Die Brücke and Kirchner took inspiration from Vincent Van Gogh and Edvard Munch, as well as African and Oceanic art. They used woodblock printing as a medium to showcase their signature style: flat, unrealistic images with vivid colors. The recurring themes in Kirchner's artworks included exotic cultures, faraway landscapes, self-portraits, dancers and Berlin street life. His paintings and prints effectively portrayed non-European cultures despite the fact that he never traveled outside of Europe.

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