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Liegender Mädchenakt (Akt vor Wandbehang) (1910) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS
Liegender Mädchenakt (Akt vor Wandbehang) (1910) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS

Liegender Mädchenakt (Akt vor Wandbehang) (1910)

Ernst Ludwig Kirchner
Technique: Giclée quality print
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Exuding a raw and expressive simplicity, "Liegender Mädchenakt (Akt vor Wandbehang)" painted in 1910 by Ernst Ludwig Kirchner, offers a mesmerizing depiction of a reclining female nude. In this artwork, Kirchner captures the model in a delicate yet candid pose, marking a blend of vulnerability and grace. With bold, swift lines that characterize much of Kirchner’s work, the figure is sketched with minimal detail, yet each stroke conveys significant depth and emotion.The young woman lies on her side, her head resting peacefully on her arm, evoking a sense of relaxation and contemplation. The backdrop, marked by a patterned hanging, adds an intriguing contrast to the smooth curves and contours of the figure. This piece beautifully exemplifies Kirchner’s skill in capturing human form with dynamic and expressive lines—true to the ethos of the Expressionist movement, which prioritizes emotional experience over physical reality."Liegender Mädchenakt (Akt vor Wandbehang)" is not just an exploration of the human body, but also a reflection of the artist’s ability to distill emotion and form into a few, compelling lines.

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Artist
Ernst Ludwig Kirchner
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Ernst Ludwig Kirchner (1880–1938) was one of the most important German Expressionist painters. He was a co-founder of Die Brücke, a group of German expressionist artists formed in Dresden in 1905. Die Brücke and Kirchner took inspiration from Vincent Van Gogh and Edvard Munch, as well as African and Oceanic art. They used woodblock printing as a medium to showcase their signature style: flat, unrealistic images with vivid colors. The recurring themes in Kirchner's artworks included exotic cultures, faraway landscapes, self-portraits, dancers and Berlin street life. His paintings and prints effectively portrayed non-European cultures despite the fact that he never traveled outside of Europe.

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