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Artillerymen (1914 – 1915) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS
Artillerymen (1914 – 1915) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS

Artillerymen (1914 – 1915)

Ernst Ludwig Kirchner
Technique: Giclée quality print
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Ernst Ludwig Kirchner's painting "Artillerymen," painted in 1914-1915, captures the volatile energy and psychological tension of its time. The work, rich in expressive color and dynamic forms, reflects the impact of World War I on European society and the artist's personal turmoil.In the painting, a group of soldiers is depicted in a semi-abstract style, characterized by angular, jagged lines that create a sense of chaos and movement. The soldiers are nearly nude, rendered in pallid tones that starkly contrast with the bursts of blue, green, and dark shadows enveloping them. This choice of palette evokes a sense of vulnerability and exposure, highlighting the dehumanizing aspect of war.The composition is divided sharply by a large, cannon-like structure in the center, symbolizing war's machinery and its overpowering influence over humanity. The soldiers, some poised as if in conversation, others in introspective solitude, seem to be caught in a moment of resignation or contemplation, possibly reflecting on their fates or the futility of their situation.Kirchner's technique, with its rough, emotive brushstrokes and aggressive use of color, enhances the painting's thematic concerns of distress and alienation.

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Ernst Ludwig Kirchner
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Ernst Ludwig Kirchner (1880–1938) was one of the most important German Expressionist painters. He was a co-founder of Die Brücke, a group of German expressionist artists formed in Dresden in 1905. Die Brücke and Kirchner took inspiration from Vincent Van Gogh and Edvard Munch, as well as African and Oceanic art. They used woodblock printing as a medium to showcase their signature style: flat, unrealistic images with vivid colors. The recurring themes in Kirchner's artworks included exotic cultures, faraway landscapes, self-portraits, dancers and Berlin street life. His paintings and prints effectively portrayed non-European cultures despite the fact that he never traveled outside of Europe.

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