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Windmühle Auf Fehmarn (Dube E 48) (1908) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS
Windmühle Auf Fehmarn (Dube E 48) (1908) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS

Windmühle Auf Fehmarn (Dube E 48) (1908)

Ernst Ludwig Kirchner
Technique: Giclée quality print
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"Windmühle Auf Fehmarn (Dube E 48) (1908)" by Ernst Ludwig Kirchner is a striking depiction that encapsulates the artist’s fascination with the dynamic interplay of form and shadow. This etching showcases a windmill on the island of Fehmarn, where Kirchner spent a productive summer capturing the essence of rural life and landscapes.In this work, the windmill dominates the composition with its bold, angular lines and simplified forms, reflecting the influence of Expressionism. The sails of the windmill are crisply outlined against the sky, suggesting movement and the power of nature. Surrounding the structure, chaotic, scribbled lines evoke the wild vegetation and rough terrain of the location, adding a vigorous texture to the scene.The chiaroscuro in the etching intensifies the dramatic effect and focuses the viewer’s attention on the windmill itself, emphasizing its structural and symbolic significance as a steadfast sentinel in the landscape. "Windmühle Auf Fehmarn" is not just a mere representation of a geographical feature; it is a testament to Kirchner’s ability to convey emotion and energy through his distinctive, graphic style.

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Artist
Ernst Ludwig Kirchner
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Ernst Ludwig Kirchner (1880–1938) was one of the most important German Expressionist painters. He was a co-founder of Die Brücke, a group of German expressionist artists formed in Dresden in 1905. Die Brücke and Kirchner took inspiration from Vincent Van Gogh and Edvard Munch, as well as African and Oceanic art. They used woodblock printing as a medium to showcase their signature style: flat, unrealistic images with vivid colors. The recurring themes in Kirchner's artworks included exotic cultures, faraway landscapes, self-portraits, dancers and Berlin street life. His paintings and prints effectively portrayed non-European cultures despite the fact that he never traveled outside of Europe.

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