Two Women on the Shore II (1933–35)

Technique: Giclée quality print
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More about this artwork

"Two Women on the Shore II," a painting by Edvard Munch created during 1933-35, portrays a vivid and somewhat mysterious scene set by the seaside. In this artwork, two contrasting figures are depicted: one woman is dressed in a bright, flowing white gown, her hair and figure bathed in a radiant, almost ethereal light that suggests vitality or perhaps an angelic quality. The other woman is cloaked in dark garments, and her features are more obscured and somber, which might signify age, melancholy, or wisdom.The setting is a shoreline under a surreal sky—the sand is painted in an unusual reddish hue, which could symbolize emotional intensity or turmoil. This is complemented by colorful, abstract shapes scattered around, resembling rocks or perhaps symbolic objects. The sea blends into the sky, and the background features undulating hills or cliffs. Above the sea hangs a bright sun and a peculiar yellow figure or symbol, perhaps a refraction or reflection, adding an element of surrealism to the scene.The painting's use of color, the stark difference in the portrayal of the two figures, and the surreal elements in the landscape contribute to a mood that is deeply evocative, tinged with elements of mystery and emotional depth. Munch’s expressive style invites viewers to ponder about the relationship between the two women and the broader themes of life, time, and nature.

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Yes, reproductions can be returned.

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Edvard Munch (12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, The Scream (1893), has become one of Western art's most iconic images.

His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style.