The Women on the Bridge (1934–40)

Technique: Giclée quality print
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More about this artwork

"The Women on the Bridge" by Edvard Munch is a vibrant and expressive painting that captures a scene on a bridge, brimming with motion and color. In this artwork, the central focus is on a group of women dressed in bright, flowing dresses. The dresses are rendered in vivid whites and yellows, creating a stark contrast with the brightly colored background.These women are positioned in the middle of the composition, slightly off-center, and they appear to be engaged in a leisurely walk. The use of bold, sweeping lines and the fluidity of the dresses suggest movement and a breezy atmosphere.To the left of the painting, there is a solitary male figure, dressed in dark clothes and a hat, observing the scene or possibly waiting. This juxtaposition of the solitary man with the group of women adds a dynamic element to the scene, perhaps suggesting different narratives or states of being.The bridge itself, along with the background of the painting, is delineated by energetic, almost abstract strokes of orange, green, and red, indicating the wooden planks of the bridge and the lush surroundings. The houses in the distant background, painted in cooler tones of blue and white, balance the composition and lend a sense of depth and space.Overall, Munch's style here is marked by an intense and expressive use of color and form, which heightens the emotional impact of the otherwise everyday scene.

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Yes, reproductions can be returned.

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Edvard Munch (12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, The Scream (1893), has become one of Western art's most iconic images.

His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style.