Man Bathing (1899)

Technique: Giclée quality print
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More about this artwork

The painting "Man Bathing" (1899) by Edvard Munch captures a haunting yet tranquil scene of a male figure standing in shallow water. The man is portrayed in a frontal position, with his gaze seeming to look directly at the viewer, adding an intimate and somewhat challenging emotion to the artwork. The use of muted colors, with predominant blues and greens, sets a cool, calm atmosphere that contrasts with the stark silhouette of the figure.Munch's application of color is translucent, allowing the texture and undertones of the canvas to seep through, giving the painting a raw, unfinished quality. The light source appears to come from above, illuminating the figure unevenly, which creates a dramatic effect and emphasizes the contours and musculature of the man's body. The surrounding water reflects a ripple-like pattern, skilfully rendered to suggest movement around the still figure.This piece is illustrative of Munch's expressionistic style, where emotion and psychological depth are conveyed through color, texture, and simple yet powerful compositions. "Man Bathing" evokes a sense of vulnerability and contemplation, inviting the viewer to ponder the inner thoughts or emotions of the depicted figure. It stands as an intriguing example of Munch's exploration of human existence and emotional states, using the act of bathing as a moment of both literal and figurative exposure.

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Edvard Munch (12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, The Scream (1893), has become one of Western art's most iconic images.

His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style.