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A Slaughtered Ox, Rome reproduction of painting by Theodor Philipsen. ALL GICLEE PRINTS
A Slaughtered Ox, Rome reproduction of painting by Theodor Philipsen. ALL GICLEE PRINTS

A Slaughtered Ox, Rome

Theodor Philipsen
Technique: Giclée quality print
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The painting "A Slaughtered Ox, Rome" by Theodor Philipsen presents a stark and somewhat somber scene from a butcher's shop. It features the carcass of an ox hung upside down, dominating the composition. The ox is depicted in a visceral manner with detailed anatomy, highlighting the textures and colors of the flesh and muscle. The background is subdued, with a dark, muted palette that complements the striking reds and pinks of the exposed meat, emphasizing the rawness of the slaughtered animal.Additional elements such as smaller cuts of meat hanging on the left side and some tools possibly used in the butchering process can be seen in the dimly lit background. On the floor, there are faint suggestions of blood and debris, adding to the gritty realism of the scene. The painting captures both the brutality and the necessity of the butchering process, presenting it in a straightforward yet evocative way that may evoke contemplation on the themes of life, death, and sustenance. Philipsen’s technique with brushwork and color handling enhances the tactile feel of the scene, drawing viewers into this everyday yet profound aspect of life.

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Artist
Theodor Philipsen
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Theodor Esbern Philipsen (1840-1920) was a Danish painter known for his landscapes, animal portraits, and small figures in wax and clay. He was a prominent figure in the Danish art scene and was particularly known for his skillful depictions of the Danish countryside and animals. He was particularly skilled in capturing the mood and atmosphere of rural landscapes, often working en plein air, and his paintings are filled with a sense of light and movement. Philipsen's animal portraits are also known for their realism, with animals that look and feel alive in the paintings. He was active in the art association of Denmark and was part of the group of painters called the Fynboerne or the Funen Painters, which was a society of Danish artists who were known for their landscapes and genre scenes.

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