Golden Thread From The Flower Book

Technique: Giclée quality print
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More about this artwork

"Golden Thread" from Edward Burne-Jones's "The Flower Book" is a circular painting that exudes a mystical and allegorical charm, characteristic of Burne-Jones's style. In the painting, we see a knight, clad in detailed and lustrous armor, seemingly resolute in his venture as he navigates through a dense, whimsical forest. The knight carries a large, prominent spindle, hinting at the concept of fate and destiny commonly associated with threads and spinning in mythology, such as the myth of the Moirai or Fates in Greek mythology.The background is composed of ghostly, delicate trees and foliage under a moonlit sky, suggesting an otherworldly or dreamlike setting. The circular format of the artwork, often called a "tondo," emphasizes the continuous and unending nature of the knight's quest, symbolically reflecting the eternal and cyclical nature of tales and fates.The golden thread in the title of the painting could symbolize guidance, destiny, or a path that the knight follows, leading him through the challenges of the mystical forest. This thread might be the only guiding light in the otherwise obscure and intricate path defined by the dense woods around him, emphasizing themes of pursuit, purpose, and perhaps enlightenment.Altogether, the artwork is rich with allegorical significance, inviting deep contemplation about the threads that guide our own lives and the quests on which we find ourselves.

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Sir Edward Burne-Jones (1833-1898) was a British designer and Victorian narrative painter. He was born in Birmingham to a picture-framer. He intended to become a minister and studied theology at Oxford. However, his life took a turn when he met William Morris. Together they formed The Brotherhood, a society worshipping the poets and architecture of the middle ages. They both worked together on several projects for Morris & Co. Burne-Jones designed tapestries, jewellery, sculptures, ceramics, furniture and stained glass for the company. His artworks truly captured the spirit of the nineteenth century and the Arts and Crafts movement. In recent decades his art has had a renaissance and become among the most expensive pre-raphaelite artworks to be sold at auction.