False Mercury From The Flower Book

Technique: Giclée quality print
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More about this artwork

This artwork "False Mercury" from "The Flower Book" by Edward Burne-Jones depicts a captivating circular composition. In the image, a figure that represents Mercury, often recognized by his winged attire, is illustrated in a dynamic, flowing motion. His costume, rich in blue hues, contrasts beautifully with the dark starry sky and the pale glow of the moon which he gracefully holds in his right hand. This suggests an ethereal, almost otherworldly presence.Below Mercury, another figure is seen reclining inside what appears to be a boat, enveloped in a gown of rich golden-brown tones. The reclining posture and passive demeanor juxtapose with Mercury's active form, providing a visual and thematic contrast within the painting. The entire scene is encapsulated in a round format which focuses and contains the dynamic elements, while also emphasizing the celestial and mythical quality of the narrative.Overall, the painting radiates a sense of mystical storytelling, typical of Burne-Jones' work, which often draws from mythological and medieval themes to explore complex, symbolic narratives. The use of vibrant colors and fluid lines enhances the dreamlike and poetic quality of the image.

Delivery

Reproductions are made to order and take 5 to 7 working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Sir Edward Burne-Jones (1833-1898) was a British designer and Victorian narrative painter. He was born in Birmingham to a picture-framer. He intended to become a minister and studied theology at Oxford. However, his life took a turn when he met William Morris. Together they formed The Brotherhood, a society worshipping the poets and architecture of the middle ages. They both worked together on several projects for Morris & Co. Burne-Jones designed tapestries, jewellery, sculptures, ceramics, furniture and stained glass for the company. His artworks truly captured the spirit of the nineteenth century and the Arts and Crafts movement. In recent decades his art has had a renaissance and become among the most expensive pre-raphaelite artworks to be sold at auction.