Study For Mirror Of Venus: Arms And Feet Of Venus

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The artwork titled "Study for Mirror of Venus: Arms and Feet of Venus" by Edward Burne-Jones displays meticulous pencil sketches focusing on anatomical details of limbs. The composition is arranged to exhibit two sets of limbs - one pair of feet resting on what appears to be a support like a stool or a plinth, and two hands in a graceful, relaxed pose.The feet are positioned side by side, with toes slightly curled, capturing a very natural, relaxed state. The detailed rendering allows viewers to see every contour and line of the feet, emphasizing the skill of the artist in depicting human anatomy.On the right side of the drawing, two hands are shown with one gently touching the other. This gesture adds a soft, delicate quality to the sketch, perhaps hinting at the elegance and gentility often associated with Venus, the goddess of love and beauty. The hands are positioned so that one appears to be reaching gently towards the other, further suggesting delicacy and grace.Overall, this piece exemplifies Burne-Jones' proficiency in draftsmanship and his attention to detail, traits that are characteristic of his work within the Pre-Raphaelite movement. The study serves as a preparatory work, likely meant to fine-tune the details of a larger, more elaborate composition. These sketches not only showcase anatomical accuracy but also convey a sense of beauty and calmness, aligning with the romantic and idealized representations of classical figures typical in Burne-Jones’ art.

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Sir Edward Burne-Jones (1833-1898) was a British designer and Victorian narrative painter. He was born in Birmingham to a picture-framer. He intended to become a minister and studied theology at Oxford. However, his life took a turn when he met William Morris. Together they formed The Brotherhood, a society worshipping the poets and architecture of the middle ages. They both worked together on several projects for Morris & Co. Burne-Jones designed tapestries, jewellery, sculptures, ceramics, furniture and stained glass for the company. His artworks truly captured the spirit of the nineteenth century and the Arts and Crafts movement. In recent decades his art has had a renaissance and become among the most expensive pre-raphaelite artworks to be sold at auction.