Knob With Seven Hexagonal Stars

Technique: Giclée quality print
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More about this artwork

This artwork by Albrecht Dürer, titled "Knob with Seven Hexagonal Stars," showcases his remarkable precision and flair for intricate design. At the core of the image is a large, ornate knob or medallion featuring an elaborate pattern that intertwines and loops in a mesmerizing lace-like structure.The background is dark, which beautifully contrasts with the white delicate patterns, making them appear even more defined and vivid. Surrounding the central medallion, the border includes decorative flourishes resembling foliage and scrolls, adding an organic feel to the geometric precision of the knob's design.Additionally, the intricate lines and curves within the medallion suggest a sort of mathematical or mystical quality, which Dürer often explored in his works, blending art with the scientific ideas of his time. The piece evokes a sense of deep contemplation, possibly reflecting on the natural harmony and order of the universe. The inclusion of seven hexagonal stars might also hint at cosmological or astrological significances, common themes in Renaissance art and thought.Overall, this piece is a fine example of Dürer’s skill in engraving and his ability to convey complex ideas through detailed and decorative imagery.

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Christian paintings, woodcuts and landscapes by the German Renaissance master Albrecht Dürer (1471-1528). Dürer's pieces on Christian themes and allegory are considered to be the finest examples of the Northern Renaissance. One of Dürer's most famous works on Christ is his "Crucifixion" woodcut (1503). The piece demonstrates Dürer's mastery of the medium and deep understanding of Christian symbolism. The work depicts the crucifixion of Christ in a powerful and realistic manner, with an emphasis on the suffering and sacrifice of Christ. Dürer began his career as an apprentice in Nuremberg to the master craftsman Michael Wolgemut. He later became the founding member of the city's painters' guild and was an active member of humanist circles prominent in Nuremberg at the time.