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Arm Of Eve reproduction of painting by Albrecht Durer. ALL GICLEE PRINTS

Arm Of Eve

Albrecht Durer
Technique: Giclée quality print
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This image is a detailed drawing of a human arm extending from the lower left to the upper right of the frame, with the hand grasping a spherical object. The artwork, titled "Arm of Eve," is by Albrecht Dürer, a master of the Northern Renaissance, known for his precise and realistic renderings.Dürer's meticulous attention to detail is evident in the drawing. The arm is executed with fine lines that precisely depict the contours and muscles, capturing a sense of depth and realism. The way the arm is modeled shows a superb understanding of human anatomy, highlighting Dürer's skills not only as an artist but also as a keen observer of the human form.The hand is particularly expressive, gently but securely holding what appears to be an apple, a key element that connects the image to the biblical story of Eve and the forbidden fruit. The smoothness of the apple contrasts with the textured detailed lines of the arm and hand, emphasizing the focal point of the composition.Overall, the image exudes a combination of delicacy and strength, encapsulating a moment of significant narrative and symbolic meaning within a simple yet powerful portrayal.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Albrecht Durer
All Artworks

Christian paintings, woodcuts and landscapes by the German Renaissance master Albrecht Dürer (1471-1528). Dürer's pieces on Christian themes and allegory are considered to be the finest examples of the Northern Renaissance. One of Dürer's most famous works on Christ is his "Crucifixion" woodcut (1503). The piece demonstrates Dürer's mastery of the medium and deep understanding of Christian symbolism. The work depicts the crucifixion of Christ in a powerful and realistic manner, with an emphasis on the suffering and sacrifice of Christ. Dürer began his career as an apprentice in Nuremberg to the master craftsman Michael Wolgemut. He later became the founding member of the city's painters' guild and was an active member of humanist circles prominent in Nuremberg at the time.

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