Boulevard, From The Series "Some Aspects Of Parisian Life"

Technique: Giclée quality print
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"Boulevard, From The Series 'Some Aspects Of Parisian Life'" by Pierre Bonnard depicts a lively street scene typical of Paris in the early 20th century. The painting portrays a vibrant and bustling boulevard, capturing the ebullient spirit of the city through Bonnard's unique, impressionistic style.The composition is filled with an array of urban activities, featuring pedestrians in various attire who represent the everyday life of Paris. In the foreground, a woman sits at a small table topped with fruit, seemingly selling her goods on the street. Beside her, a child and a dog add a touch of domestic normality to the brisk urban environment. This scene is set against a backdrop of bustling cafes and shops, with large signs that read "Patisserie" and "Litterie," suggestive of the commerce and lifestyle in Paris.The center of the painting features horse-drawn carriages, hinting at the still-prevalent use of horse-drawn transport in the era, mixed with the emerging modernity seen in the details of the architecture and clothing. The soft yet visible details that Bonnard employs, utilizing a range of colors primarily in browns, yellows, and blacks, enrich the visual texture of the busy boulevard.Bonnard's use of light and shadow, along with his sketch-like approach, creates a dynamic scene that feels both momentary and timeless.

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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married.