Preliminary Design Of Book-Plates For Misia Natanson

Technique: Giclée quality print
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More about this artwork

This artwork by Pierre Bonnard is a sketch-like illustration that appears exploratory and fragmentary, characterizing it as a preliminary design. The composition, predominantly executed in a delicate, etched style, includes a variety of motifs arranged in a seemingly scattered fashion, indicative of the artist's process in conceptualizing design elements.Central to the image are figures and floral designs which might be considered for bookplates, personalized labels usually affixed inside the cover of books. On the left side, a cloud-like formation with the inscription "Ex Libris," which is Latin for "from the books (library) of," suggests the intended use for these designs. This is a typical phrase used on bookplates to denote ownership.Also notable are the multiple depictions of roses across the canvas, differing in detail and perspective, which likely are considerations for the final decorative elements. The roses contribute a classical, refined aesthetic, typical of personalized bookplates of that era.Additionally, the drawing features two figures seemingly interacting with the floral elements or possibly engaged in a joyful activity. These human forms, rendered with flowing lines and dynamic poses, add a playful, lively touch to the overall design, contrasting with the static nature of the floral sketches.Given the title, "Preliminary Design of Book-Plates for Misia Natanson," this piece was evidently prepared with a specific individual in mind, Misia Natanson, suggesting a personalized approach to the creation of these bookplates.

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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married.