A Covered Wagon

Technique: Giclée quality print
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More about this artwork

This painting by Samuel Colman, entitled "A Covered Wagon," captures a detailed and serene depiction of a classic covered wagon. The wagon is the focal point, beautifully illustrated with a soft white canvas cover that is elegantly draped over wooden hoops to create a protective enclosure. The body of the wagon is painted in a muted green with red and gold trim, suggesting a utilitarian yet cared-for vehicle.The wheels, made of wood with visible spokes, are stained in a rich reddish-brown color that contrasts subtly with the green body of the wagon. The presence of these large, sturdy wheels indicates that the wagon was designed to handle rough terrains. On the side of the wagon, additional objects—a green chest and a beige box—are secured, likely containing supplies or personal belongings of the travelers.The background of the painting is a pale blue sky with gentle, wispy clouds, emphasizing a calm and peaceful setting. The ground appears minimally detailed, suggesting a nondescript terrain that places all visual focus on the wagon itself. This scene devoid of human or animal figures highlights the isolation and possibly the independence associated with the era of westward expansion and exploration in which such wagons were commonly used.Overall, Colman’s painting evokes feelings of nostalgia and the pioneering spirit of historical American frontiers. It invites the viewer to reflect on the journeys and stories that might have unfolded with this wagon as a silent witness.

Delivery

Reproductions are made to order and take 5 to 7 working days.

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Returns

Yes, reproductions can be returned.

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We do not refund shipping expenses.

Samuel Colman (1832-1920) was an American designer, painter and writer, best known for his paintings of the Hudson River. A son of a bookstore owner in19th century New York, he may have been influenced by the artistic clientele from his early days to delve into the world of Arts. He attended Hudson River School under the guidance of his teacher, Asher Durand. He was one of the founding members and the first president of The American Watercolor Society, and also an avid traveler, exploring France, Spain and the Mediterranean. His travels inspired his works of beautiful foreign landscapes.