Study Of A Standing Cow, Farmington

Technique: Giclée quality print
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More about this artwork

"Study of a Standing Cow, Farmington" by Samuel Colman is a vivid and textured portrayal of a cow in a rustic setting. The cow stands prominently in the center of the composition, depicted with detailed brushwork that emphasizes its musculature and the glossy sheen of its coat. The cow's brown fur is painted with warm tones of sienna, ochre, and white, giving it a lifelike appearance that suggests both strength and docility.The background is softly defined, with muted browns and beiges that provide a simple, unobtrusive backdrop, allowing the viewer to focus entirely on the animal. A darkened barn door or window can be discerned on the left, contributing to the pastoral and serene atmosphere typical of farm life. The play of light and shadow across the cow’s body and the ground further enhances the three-dimensional effect of the painting.Overall, Colman’s work captures not just the physical presence of the cow, but also a sense of the calm and settled environment in which it resides, evoking a connection to the land and the simple beauty of rural life. This painting serves as a study not only in form and color, but also in atmosphere and emotional resonance.

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Samuel Colman (1832-1920) was an American designer, painter and writer, best known for his paintings of the Hudson River. A son of a bookstore owner in19th century New York, he may have been influenced by the artistic clientele from his early days to delve into the world of Arts. He attended Hudson River School under the guidance of his teacher, Asher Durand. He was one of the founding members and the first president of The American Watercolor Society, and also an avid traveler, exploring France, Spain and the Mediterranean. His travels inspired his works of beautiful foreign landscapes.