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A Cowherd At Valhermeil, Auvers-Sur-Oise reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
A Cowherd At Valhermeil, Auvers-Sur-Oise reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

A Cowherd At Valhermeil, Auvers-Sur-Oise

Camille Pissarro
Technique: Giclée quality print
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This painting by Camille Pissarro, titled "A Cowherd at Valhermeil, Auvers-Sur-Oise," captures a peaceful rural scene infused with the vibrant, naturalistic essence typical of Pissarro's work. The composition features a serene pastoral landscape under a calm, cloud-streaked sky.In the foreground, a cowherd, depicted in a blue outfit, tends to a light-brown cow near a pathway that meanders through the scene. This tranquil human-animal interaction adds a sense of daily rural life to the canvas. Across the pathway, on the right, the dense foliage is lush, characterized by an impasto technique that adds texture and depth to the greenery.The midground is dominated by a gently rolling hillside dotted with fields and trees. A small cluster of houses nestles amidst the trees, suggesting a quiet, secluded village life. The presence of another figure with a horse and cart near these buildings further enriches the narrative of rural labor and tranquility.The background extends upward into a hill lined with tall, slender trees, possibly poplars, which guide the viewer’s eye through the composition and emphasize the expanse of the landscape.

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Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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