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The River Oise Near Pontoise reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
The River Oise Near Pontoise reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

The River Oise Near Pontoise

Camille Pissarro
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"The River Oise Near Pontoise" by Camille Pissarro is a quintessential example of Impressionist landscape art. The painting captures a scene along the River Oise, where elements of natural beauty and industrial activity merge harmoniously. At the forefront of the image, the tranquil river reflects the sky and banks, inviting the viewer to appreciate the calmness of water amidst a busy landscape. This reflective quality adds a serene atmosphere to the setting.In the middle ground, Pissarro places industrial buildings, most notably with tall chimneys that emit plumes of smoke. Despite their industrial function, these buildings are integrated into the landscape without dominating it, suggesting a balanced coexistence between human activity and nature during this time period.The background features a vast expanse of sky, filled with dynamic, fluffy clouds that suggest the passage of time and movement, a typical motif in Impressionist painting to convey immediacy and the transient effects of light and weather.Nature is depicted in detailed texture and varied tones of green, demonstrating Pissarro's skill in handling color and light. Wildflowers near the riverbank are painted with dabs of color, capturing the vividness and diversity of flora.

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Artist
Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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