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The Pont Royal And The Pavillon De Flore reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
The Pont Royal And The Pavillon De Flore reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

The Pont Royal And The Pavillon De Flore

Camille Pissarro
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This painting by Camille Pissarro, titled "The Pont Royal and the Pavillon de Flore," captures a serene and picturesque scene along the Seine River in Paris. In the foreground, Pissarro paints the tranquil waters of the Seine, dotted with reflections and gentle ripples. A boat can be seen floating, possibly a small cargo or passenger boat, adding a touch of everyday life to the scene.The Pont Royal bridge, with its elegant stone arches, stretches across the river. It serves as a prominent architectural element in the painting, leading the viewer's eyes from one bank to the other. This bridge, historically significant in Paris, connects the Louvre to the Left Bank and has been a subject of inspiration for many artists.On the right side of the painting, the Pavillon de Flore, part of the famous Louvre Palace, stands impressively. Its finely detailed, classic architectural features are rendered with Pissarro’s characteristic brushwork, which includes visible, expressive strokes that add texture and vibrancy to the structure.The trees, possibly in early spring or late autumn colors, frame the scene and add a natural element that contrasts with the urban architecture.

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Artist
Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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