Apple Trees In Eragny, Sunny Morning

Technique: Giclée quality print
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More about this artwork

"Apple Trees in Eragny, Sunny Morning" by Camille Pissarro depicts a serene rural landscape enriched with the subtle yet vivid interplay of light and color typical of his impressionist style. The painting features a lush green scene of an orchard in Eragny, where Pissarro lived later in life. In the foreground, there is a large haystack, shaped somewhat like an irregular mound, alongside a woman standing slightly to the right, clothed in a traditional peasant outfit. She appears to be engaged in some daily rural activity, perhaps gathering or resting briefly.The background is dotted with apple trees bathed in sunlight, their foliage rich with varying shades of green, which suggests the vitality of the orchard. The trees are portrayed with quick, textured brushstrokes, capturing the dynamic quality of leafy branches swaying gently in the breeze. A modest farmhouse, partially obscured by trees, and a simple wooden fence add a structural element to the otherwise natural setting. The painting conveys a sense of peaceful coexistence with nature and a rhythmic, almost meditative reverence for the simplicity and beauty of everyday rural life.Pissarro's use of light emphasizes the vibrancy of the scene, with the morning sun casting gentle shadows and illuminating surfaces to create a sense of depth and dimension. Overall, the work is a sublime example of how Pissarro blended technique with his personal perspective of the rural landscapes he cherished.

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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism.