The Andelys

Technique: Giclée quality print
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More about this artwork

"The Andelys" by Paul Signac is a vibrant impressionist-style painting that captures a beautiful landscape scene. The artwork provides a glimpse of a serene riverside setting, possibly along the Seine River considering the title. The painting features a group of individuals at the foreground, engrossed in an activity near the riverbank, which adds a sense of peaceful daily life to the scene.In the background, the composition includes quaint houses and lush green hills that suggest a gentle, rolling landscape. The use of light and colors is particularly striking; Signac's choice of warm yellows and cool blues create a harmonious contrast that brings the scene to life. Trees and vegetation are depicted with short, dab-like strokes, characteristic of the pointillism technique, which Signac adopted and helped develop.The boat gently resting on the calm waters and the small figure standing by it further emphasize the tranquility and timelessness of the rural setting. Overall, the painting feels like a serene snapshot of life in a picturesque village, rendered with an eye towards capturing the interplay of light, color, and everyday tranquility.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.