I Saw The Figure 5 In Gold

Technique: Giclée quality print
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This painting, *I Saw The Figure 5 In Gold* by Charles Demuth, is a compelling example of the Precisionism movement and also reflects the influence of Cubism and Futurism. The artwork is a visual ode to William Carlos Williams’s poem "The Great Figure," which involves the vivid, urban scene including the sighting of a gold number 5 on a firetruck moving swiftly through the streets.In the painting, the predominant feature is the large gold number 5, dynamically emblazoned at the center amidst a whirl of angular and overlapping forms that create a sense of movement and urgency. This motion is accentuated by the bold red and hues of gold and black, which are sharply contoured by crisp lines. The background elements include fragments of words, such as "BILL" and "CARL," and geometric shapes that suggest the bustling city environment and perhaps other signage seen on the street.Demuth uses a flat surface plane yet achieves depth through the interplay of colors and shapes, giving the artwork a layered, complex construction. This modernist composition captures the energy and chaos of an urban setting, while the enigmatic use of text and numbers adds a narrative element that invites viewers to ponder its significance in relation to the poem and the overall scene depicted.

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Charles Demuth (1883-1935) was one of the leading artists during the American Modernism era. He was distinguished for intimate watercolors and cubic architectural paintings. Demuth studied art at Académie Julian in Paris, where he was welcomed into the avant-garde art scene and met other American Cubism artists like Marsden Hartley. His watercolor figures have a weightless and surrealistic character with a sensitive linear style, in which he illustrated plays and novels such as Émile Zola's Nana. He also depicted an evolving gay scene of encounters at bath houses through watercolors for his close friends, like the "Turkish Bath", works that now are of great historical significance. Demuth later employed a cubist technique by painting industrial factories with complex structural planes, leading him to becoming a pioneer for the precisionist movement.