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Pier With Four Figures (ca. 1916–17) reproduction of painting by Charles Demuth. ALL GICLEE PRINTS
Pier With Four Figures (ca. 1916–17) reproduction of painting by Charles Demuth. ALL GICLEE PRINTS

Pier With Four Figures (ca. 1916–17)

Charles Demuth
Technique: Giclée quality print
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"Pier with Four Figures" by Charles Demuth, painted around 1916–17, captures a serene yet engaging scene set on a dockside. This watercolor painting uses a delicate palette to convey the light and atmosphere of a peaceful moment by the water. In the artwork, a prominently featured American flag flutters in the breeze, adding a patriotic element to the scene. Demuth portrays four figures, each engaged in separate activities. One figure walks along the pier, another sits pensively on the edge, and the other two, distinct yet interacting minimally, contribute to a narrative that feels both personal and isolated.The painting’s backdrop features pastel skies and subtle marine elements, suggesting the gentle movement of water. The soft colors and sketchy lines used by Demuth give the painting a dreamy, almost ethereal quality, inviting viewers to reflect on the quiet moments of everyday life. The artwork serves as a wonderful example of Demuth's skill in capturing both the tranquility and loneliness of individual moments in time.

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Artist
Charles Demuth
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Charles Demuth (1883-1935) was one of the leading artists during the American Modernism era. He was distinguished for intimate watercolors and cubic architectural paintings. Demuth studied art at Académie Julian in Paris, where he was welcomed into the avant-garde art scene and met other American Cubism artists like Marsden Hartley. His watercolor figures have a weightless and surrealistic character with a sensitive linear style, in which he illustrated plays and novels such as Émile Zola's Nana. He also depicted an evolving gay scene of encounters at bath houses through watercolors for his close friends, like the "Turkish Bath", works that now are of great historical significance. Demuth later employed a cubist technique by painting industrial factories with complex structural planes, leading him to becoming a pioneer for the precisionist movement.

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