Machinery

Technique: Giclée quality print
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More about this artwork

The painting presents an abstract composition with a combination of architectural forms and mechanistic elements. There are bold geometric shapes, primarily rendered in shades of red, black, gray, and white, suggesting parts of machinery and building structures. In the background, there are windows with visible mullions, perhaps indicating an industrial setting. Dominating the composition is a large, twisting form that resembles a pipe or duct, which curves across the canvas in a sinuous line. A yellow sphere, possibly representing the sun or a light bulb, is in the upper right corner, contrasting with the muted tones of the rest of the image. There's a sense of dynamic movement, possibly hinting at the workings of an industrial facility.

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Charles Demuth (1883-1935) was one of the leading artists during the American Modernism era. He was distinguished for intimate watercolors and cubic architectural paintings. Demuth studied art at Académie Julian in Paris, where he was welcomed into the avant-garde art scene and met other American Cubism artists like Marsden Hartley. His watercolor figures have a weightless and surrealistic character with a sensitive linear style, in which he illustrated plays and novels such as Émile Zola's Nana. He also depicted an evolving gay scene of encounters at bath houses through watercolors for his close friends, like the "Turkish Bath", works that now are of great historical significance. Demuth later employed a cubist technique by painting industrial factories with complex structural planes, leading him to becoming a pioneer for the precisionist movement.