Nana Visiting Her Friend Satin

Technique: Giclée quality print
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More about this artwork

In the painting, there are two women positioned in a dynamic scene. One woman is reclined on her back on a bed or sofa, dressed in a beige and white ensemble. Her head and facial features are gently outlined, her expression soft and relaxed with her arms gracefully placed on the surface. The other woman, wearing a blue dress with patterns that suggest folds and shadows, leans over her assertively. Her posture is dramatic and active, her arm stretched towards the reclining woman, possibly in a comforting or engaging manner. The background is abstract, with patches of brown and occasional splashes of color that resemble flowers or undefined shapes. On the floor, items like shoes and a hat are loosely scattered, adding to the casual, intimate ambiance of the scene.

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Charles Demuth (1883-1935) was one of the leading artists during the American Modernism era. He was distinguished for intimate watercolors and cubic architectural paintings. Demuth studied art at Académie Julian in Paris, where he was welcomed into the avant-garde art scene and met other American Cubism artists like Marsden Hartley. His watercolor figures have a weightless and surrealistic character with a sensitive linear style, in which he illustrated plays and novels such as Émile Zola's Nana. He also depicted an evolving gay scene of encounters at bath houses through watercolors for his close friends, like the "Turkish Bath", works that now are of great historical significance. Demuth later employed a cubist technique by painting industrial factories with complex structural planes, leading him to becoming a pioneer for the precisionist movement.