Still life of fruit (1651)

Technique: Giclée quality print
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More about this artwork

Adriaen van Utrecht, a painter renowned for his mastery in still lifes, showcases an abundant collection of fruits in this exquisite work titled "Still Life of Fruit". Created in 1651, this painting is remarkable for its vivid realism and intricate attention to detail.The composition presents a bountiful basket filled to the brim with a diverse assortment of fruits. Among them, one can observe fully ripened grapes with hues ranging from deep blues to pale greens, suggesting a variety ripe for tasting. Luscious figs cut open expose their intricately patterned interiors, contrasting beautifully with the smooth exteriors of plump apricots and richly colored plums.The texture and sheen of each fruit are rendered with such precision that viewers can almost feel the juiciness of the grapes and the slight fuzz on the peaches. Adriaen van Utrecht's skill in manipulating light adds a tangible quality to the fruits, highlighting their freshness and the dewy presence on their skins.Moreover, the artist includes leaves and branches, adding a natural context and depth to the display, enhancing the overall lifelike appearance of the arrangement. The dark, understated background focuses the viewer’s attention on the vibrancy of the fruits, making them appear even more radiant.This painting not only represents a feast for the eyes but also serves as an emblem of abundance and prosperity during the Baroque period. It is a testament to van Utrecht’s exceptional ability to capture the beauty and bounty of nature.

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Adriaen van Utrecht (Antwerp, 12 January 1599 – 1652) was a Flemish painter known mainly for his sumptuous banquet still lifes, game and fruit still lifes, fruit garlands, market and kitchen scenes and depictions of live poultry in farmyards. His paintings, especially the hunting and game pieces, show the influence of Frans Snyders. The two artists are considered the main inventors of the genre of the pronkstillevens, i.e. still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals.[1] Van Utrecht also painted a number of flower still lifes. He was a regular collaborator with leading Antwerp painters who had been pupils or assistants of Peter Paul Rubens, such as Jacob Jordaens, David Teniers the Younger, Erasmus Quellinus II, Gerard Seghers, Theodoor Rombouts, Abraham van Diepenbeeck and Thomas Willeboirts Bosschaert.