Still Life (1925)

Technique: Giclée quality print
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More about this artwork

In this richly textured painting by Alfred William Finch, titled "Still Life" and created in 1925, we are invited to a scene of welcoming tranquility and comforting simplicity. The artwork captures a moment frozen in time, juxtaposing the warmth of domestic life with the skill of artistic expression.The composition of the painting centers around a table adorned by a checkered blue and white tablecloth, which provides a vibrant contrast to the relatively muted tones of the background. Upon this tablecloth rests an arrangement of objects that seem to whisper stories of everyday routines and morning rituals. A shining, copper teapot, with its reflective surface catching the light, draws the viewer’s eye with its curves and gleam. Accompanying the teapot is a matching cup with delicate blue bands, nestled on a saucer beside a small sugar bowl with a similarly decorative motif.Alongside these tea-time elements, the scene features a crusty loaf of bread lying next to a neatly placed butter knife, suggesting the promise of a hearty, comforting meal. These elements, while simple, are depicted with a palpable attention to texture and form that elevates the scene from a mere representation to a celebration of the mundane.Alfred William Finch’s brushwork lends a tactile quality to the objects, from the rough crust of the bread to the smooth, reflective surface of the teapot. The depth of the painting is enhanced by the dark, undefined background which focuses our attention further on the still-life arrangement, creating an intimate atmosphere that almost invites the viewer to take a seat at the table.This painting not only highlights Finch’s mastery of oil as a medium but also illustrates his ability to infuse vibrancy into everyday objects, rendering a simple breakfast setting into a subject worthy of contemplation and aesthetic appreciation.

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Alfred William Finch (1854-1930) was a Neo-Impressionist artist born to British parents in Brussels, Belgium. His works utilized the color palette and Pointillism technique, which were shared by other significant figures of the Neo-Impressionism movement, including Paul Signac, Camille Pissarro, and Georges Seurat. Finch was among the founding members of Les XX (Les Vingt), a group of twenty artists based in Brussels that challenged antiquated and conservative artistic traditions and academism. The group held annual art exhibitions, greatly influencing the development of Neo-Impressionism. In his later years, Alfred William Finch also produced ceramics and pottery, decorated with a fusion of his familiar Neo-Impressionism, Arts and Crafts, and Belgian Art Nouveau styles. His artworks primarily portray the atmospheric beauty of nature and the countryside along the Channel coast. Alfred William Finch spent the majority of his artistic career in Helsinki, where he passed away in 1930.