Rosehearty pier (Roseheartyn aallonmurtaja) (1910)

Technique: Giclée quality print
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More about this artwork

"Rosehearty Pier," painted by Alfred William Finch in 1910, captures the serene yet dynamic spirit of the Scottish coastline with post-impressionistic flair. The artwork exudes a vibrant energy through Finch's use of thick, swirling brushstrokes and a vivid palette, reflecting the tumultuous movements of the sea and the shifting skies. The palette is dominated by blues and greens, contrasted with the warmer tones of yellow and orange streaking through the sky, suggesting a powerful interplay of natural lights and elements.The painting depicts a vivid scene at Rosehearty's sturdy pier, which juts firmly into a lively sea. Rough waves crash against the pier and rocky shore, demonstrating the ocean's relentless force. To the right, the outline of a traditional building adds a touch of human presence, anchored yet seemingly dwarfed by the vastness of nature. Meanwhile, tiny figures on the pier add a human element to the sweeping landscape, reminding viewers of the scale and power of the natural world compared to human endeavors.At the horizon, the silhouettes of sailing boats are visible, perhaps braving the vigorous winds, enhancing the portrayal of the sea's challenging conditions. These elements together beautifully embody the intersection of human life and the commanding presence of the natural environment, a theme that Finch explores with vivid color and dynamic textures.This artwork by Alfred William Finch serves not only as a visual journey to a picturesque Scottish locale but also as a reminder of the eternal dance between land, sea, and sky, captured through the artist’s emotive and richly textured brushwork.

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Alfred William Finch (1854-1930) was a Neo-Impressionist artist born to British parents in Brussels, Belgium. His works utilized the color palette and Pointillism technique, which were shared by other significant figures of the Neo-Impressionism movement, including Paul Signac, Camille Pissarro, and Georges Seurat. Finch was among the founding members of Les XX (Les Vingt), a group of twenty artists based in Brussels that challenged antiquated and conservative artistic traditions and academism. The group held annual art exhibitions, greatly influencing the development of Neo-Impressionism. In his later years, Alfred William Finch also produced ceramics and pottery, decorated with a fusion of his familiar Neo-Impressionism, Arts and Crafts, and Belgian Art Nouveau styles. His artworks primarily portray the atmospheric beauty of nature and the countryside along the Channel coast. Alfred William Finch spent the majority of his artistic career in Helsinki, where he passed away in 1930.