If it didn’t hurt I want less

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

The painting depicts a figure characterized by an abstract, surreal appearance, with a pineaaple replacing the figure’s head. The body and arms are portrayed with exaggerated, elongated forms, bathed in deep shades of blue and green, suggesting a melancholic or pensive mood. Drips of paint cascade from the pineapple, indicating either melting or disintegration. These drips create a sense of movement, almost as if the figure is in the process of transformation or decay. The background is minimal, composed of dark horizontal and vertical areas that further emphasize the starkness and surrealism of the central figure.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Graduated from the Vilnius Academy of Arts with a Bachelor's and Master's degree.

Ideas for paintings come from observing one's own environment and then stealing details from it. These details more often than not come to me on their own and then I realise that yes, this must be important to me, and I only realise the importance of the moment and the detail much later. The characters in the paintings are often affected by the melancholy of everyday life and take their time to be with themselves.

I don't stick to one technique or one medium. I have noticed that I naturally look for different ways of expressing myself through painting, which is why the paintings themselves often look quite different. Often I combine oil painting with acrylics or spray paints, and sometimes markers in the same work. Almost every work is dominated by a figurative composition with large monochromatic areas. This is a way of combining two quite different art movements - easel painting and street art. Most of the works are characterised by a contoured line and a strong contrasting colour palette.