Two Nudes (Ca. 1903)
Technique: Giclée quality print
Recommended by our customers
More about this artwork
"Two Nudes" (Ca. 1903) by Edvard Munch features two nude females presented in contrasting postures and settings, rendered in a loose, expressive style characteristic of Munch's approach to form and color. On the left, one woman reclines languidly on a blue sofa, her body elongated and facing away from the viewer, with her head turned back over a dark red throw pillow, seemingly lost in contemplation or fatigue. Her pose is relaxed and informal, capturing a sense of intimate restfulness.On the right, the second figure sits upright on what appears to be a wooden chair, facing slightly towards the viewer. Her expression and posture suggest introspection or a mild engagement with her surroundings. Her seated position and the way she supports herself with her arm give her a more immediate and present demeanor compared to the relaxed form of the reclining figure.The painting’s background is muted, with light brush strokes suggesting a nondescript, almost dreamlike setting, which allows the viewer to focus more on the figures themselves. Munch’s use of color highlights the naturalistic tones of the body against the soft, undefined background, giving the figures a delicate yet vibrant presence within the canvas.This work might evoke themes of vulnerability, the nature of femininity, or the private moments of individual's lives—themes often explored in Munch’s broader oeuvre.
Delivery
Returns
Edvard Munch (12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, The Scream (1893), has become one of Western art's most iconic images.
His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style.