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Portrait of Gerda Bergh, The Artist’s Second Wife (1900) reproduction of painting by Richard Bergh. ALL GICLEE PRINTS

Portrait of Gerda Bergh, The Artist’s Second Wife (1900)

Richard Bergh
Technique: Giclée quality print
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"Portrait of Gerda Bergh, The Artist's Second Wife" (1900) by Richard Bergh is an exquisite depiction that captures more than just the physical likeness of its subject. The painting showcases Gerda Bergh seated, her posture relaxed yet composed, which reflects a sense of poise and assurance. Her penetrating gaze connects directly with the viewer, suggesting an open and engaging personality.Dressed in a delicate white blouse, adorned with ruffles and lace, the attire indicates a societal elegance of that era. The soft, naturalistic colors and the detailed rendering of the fabric highlight Richard Bergh's attention to textures and materials, giving the portrait a lifelike quality. In the background, a subdued palette and a glimpse of an abstract form serve to enhance the focus on Gerda, turning the composition into a personal and intimate portrayal.This artwork not only represents the artist's technical prowess but also serves as a profound personal statement. Painted with affection, the portrait is a loving tribute from Richard Bergh to his wife, capturing a moment of stillness and the serene aura of his life partner.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Richard Bergh
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Sven Richard Bergh (1858–1919) was a Swedish painter, art critic and museum manager. Despite many years in France, he remained unattracted to Impressionism, preferring instead the Naturalism of painters such as Jules Bastien-Lepage. He also rejected the idea of creating landscapes en plein aire.

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