Just what might have been expected (1895)

This intriguing painting titled "Just what might have been expected" by John Samuel Pughe, created in 1895, offers a vivid portrayal of political commentary from the era. The artwork features two main figures set against a chaotic backdrop symbolizing the tumultuous landscape of politics and economic policies.On the right, comfortably seated in a rocking chair atop an unstable platform labeled "Presidential Hopes," is a caricature of a smiling politician. He waves a fan emblazoned with the name "McKinley," referring to William McKinley, who became the U.S. President in 1897. This figure appears relaxed and almost aloof to the chaos around him, perhaps suggesting his detachment or indifference to the broader impacts of his policies.On the left side of the image, another character is illustrated in stark contrast. He is frantically running away from a massive wave labeled "BUSINESS," which threatens to engulf him. This wave represents the overwhelming force of economic changes and challenges that individuals faced, particularly in response to governmental policies. The painting’s title, "Just what might have been expected," implies a sense of inevitability and perhaps criticism towards the foreseeable consequences of certain political decisions.The house floating midway between the waves and labeled "THE FOREIGNER PAYS THE TAX" introduces another layer of commentary on the economic strategies of the time, specifically pointing towards the impact on immigrants and foreign entities due to domestic policy choices.Overall, Pughe's piece serves as a satirical yet insightful critique of the political and economic climate of the late 19th century, emphasizing the disparity in the experiences and perspectives of politicians versus the common man amidst the swirling forces of 'business'.