The Retoucher

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

Dive into the intricate world of Henri de Braekeleer's "The Retoucher," an evocative sketch that captures the essence of an artist's workspace. This masterful piece portrays the cluttered yet charismatic studio of a painter, filled with the tools of the trade and bathed in a soft, natural light that illuminates the creative chaos.In the heart of the scene, an artist—possibly the retoucher himself—bends intently over a painting. His figure is somewhat obscured by the easel, symbolizing perhaps the merging of the artist with his art, suggesting a profound connection to his work. Around him, the room is brimming with artistic paraphernalia: canvases, brushes, and scattered objects that depict the vibrancy and perpetual motion of artistic life.The background reveals a picturesque landscape through a window—a source of inspiration and reflection for the artist. This glimpse into the outside world contrasts with the focused, enclosed environment of the studio, providing a breath of fresh air amidst the concentrated effort of creation.

Delivery

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Returns

Yes, reproductions can be returned.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.