View of Jerusalen. Study (1921)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

Dive into the vivid and textural world of Anna Boberg’s "View of Jerusalem. Study," crafted in 1921. This oil painting captures the enchanting ambiance of Jerusalem through an expressionist lens, emphasizing heavy brush strokes and an emphasis on color over detail. Featuring the iconic dome structures that symbolize this ancient city, the painting is alive with movement, crafted through the dynamic application of paint.At the forefront, a tree, depicted with fiery orange and yellow leaves, introduces an element of nature’s vibrant change contrasting against the timeless stone architecture. The background offers impressions of structures adorned with subtle hints of turquoise and ochre, reflecting the historic and spiritual richness of Jerusalem.Boberg's work invites viewers to explore the texture and depth of Jerusalem's landscape. It serves not only as a visual journey but also as a reminder of the city's enduring beauty and historical significance.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Anna Katarina Boberg (1864 – 1935) was a Swedish artist married to prominent architect Ferdinand Boberg. Boberg was a person of many artistic pursuits; initially she worked with ceramics and textiles and besides painting she also worked with set design and writing. She was of an artistic family, but never received any formal training in the arts, and is considered an autodidact. Many of her paintings are of northern Norway, which became Boberg's main focus for many years after a trip there in 1901. These works were not received very well in Sweden, but did much better in Paris. Boberg spent a great deal of time in the area near Lofoten in Norway, where she eventually had a cabin, and she made many of those trips on her own.