Lock near Dolo

Technique: Giclée quality print
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More about this artwork

Giovanni Antonio Canal, better known as Canaletto, captures a serene yet bustling scene in his painting "Lock near Dolo." This artwork brings to life the calm and activity around a lock on the Brenta Canal, a scene not far from Venice, where the artist spent significant periods capturing scenes like this with his masterful brush.Canaletto's precision in architectural rendering is evident here, focusing on the intricate details of the buildings that flank the lock. The rustic charm of these structures, characterized by their weathered facades and terracotta roofs, contrasts beautifully with the serene blue sky, lightly brushed with clouds.The foreground of the painting is alive with the daily activities associated with the lock. We observe several figures busily engaged in their tasks: men working with poles and ropes, preparing to navigate the waterway. This active representation of local life is juxtaposed with the stillness of the water, reflecting a crisp, vivid sky and the verdant surroundings.Canaletto's artistic skill in capturing reflections and the texture of the water is on full display, adding a layer of dynamic realism to the piece. This painting not only serves as a historical snapshot of life in 18th-century Italy but also showcases Canaletto's enduring legacy in the art of landscape painting, providing viewers a meticulous, vibrant window into the past."Lock near Dolo" continues to enchant art enthusiasts and historians alike, drawing admiration for its detailed portrayal of everyday life and the serene beauty of the Italian countryside.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.