Banana Harvest (1907–10)

Technique: Giclée quality print
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More about this artwork

Henri Rousseau’s painting "Banana Harvest," created between 1907 and 1910, transports viewers into a lush, tropical landscape filled with the verdant greenery of banana trees. This enchanting piece showcases Rousseau's unique style, marked by its dreamlike and sometimes primitive quality, despite the artist having never visited the jungles he frequently depicted.In "Banana Harvest," two figures are ensnared in the task of gathering ripe bananas. The painting features one of the workers in traditional attire, carrying a laden pole across his shoulders, demonstrating the weight and bounty of the harvest. Another figure, also in colorful clothing, is shown busy at work to the right of the canvas, handling clusters of bananas.Dominating the background are towering banana trees, their broad leaves intricately detailed, casting shadows and creating a sense of deep, encompassing wilderness. A simple, thatched-roof hut peeks from behind the foliage, perhaps serving as a shelter or storage for the harvested bananas, hinting at the human element within this natural setting.Rousseau's work often evokes a sense of naiveté, but it is precisely this simplicity and directness that breathe life into "Banana Harvest." The close attention to botanical details against the somewhat mysterious, untamed backdrop invites viewers to delve into an exotic world, exploring the richness of nature and the human interaction with it.

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Despite never attending a formal art school, Henri Rousseau (1844–1910) is wildly recognized as a self-taught genius, who left a lasting legacy to the avant-garde movement. Rousseau practiced painting and drawing by copying artworks in the art museums of Paris in his spare time. Since he never studied anatomy and perspective at an art school, he developed a unique artistic style known as 'Naive' or 'Primitive'. His paintings are often depicted in a childish or dreamlike manner with their vivid colors, ambiguous spaces, and non-realistic scale. Most of his signature paintings portray wild animals or human figures in the jungle. His artwork was not accepted by the conservative critics so he became a member of the Parisian artistic and literary avant-garde movement where his works extensively influenced several generations of avant-garde artists and surrealists.