‘She hath a mark, like a violet, between her shoulders, and another like it on the instep of her left foot.’ (1912)

Technique: Giclée quality print
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More about this artwork

"Arthur Rackham's enchanting 1912 illustration, ‘She hath a mark, like a violet, between her shoulders, and another like it on the instep of her left foot,’ immerses us in a narrative moment steeped in mystery and detail. The artwork reveals three figures, set in a richly textured interior, likely from a historical or fantastic narrative.The focal point of the composition is a young woman, depicted with an air of anxious anticipation. Her expression and posture, as she appears to reluctantly allow her garments to be pulled slightly down by an older woman behind her, communicate a moment of vulnerability and exposure. The helper, an elderly woman, examines her carefully, searching perhaps for the very marks described in the title. Her face, crinkled with curiosity, suggests a pivotal discovery.Behind the two, a second attendant observes intently. Her expression—one of intrigue and attention—further heightens the dramatic atmosphere. Her elaborate dress and headgear add a touch of period-specific authenticity and contribute to the narrative depth of the scene.In the background, a subtle depiction of a scene painted or carved on the wall echoes the primary action, suggesting a layered story or a reflection of foretelling. The room is adorned with wooden carvings and rich textures that showcase Rackham’s skill in rendering detailed settings that complement the emotional and narrative tones of his illustrations.This painting not only showcases Arthur Rackham’s iconic style—with its fine lines and muted, dreamlike color palette—but also invites viewers into a story, prompting them to wonder about the circumstances leading to this moment and the consequences that might follow.

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Arthur Rackham (19 September 1867 – 6 September 1939) was an English book illustrator. He is recognised as one of the leading figures during the Golden Age of British book illustration. His work is noted for its robust pen and ink drawings, which were combined with the use of watercolour, a technique he developed due to his background as a journalistic illustrator.