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Bild nach sowjetischem Film reproduction of painting by Karl Wiener. ALL GICLEE PRINTS

Bild nach sowjetischem Film

Karl Wiener
Technique: Giclée quality print
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Karl Wiener's evocative charcoal drawing, "Bild nach sowjetischem Film" (Picture after a Soviet Film), taps into a primal and intense emotional spectrum. This striking piece portrays a man's face up-close, his features exaggerated and imbued with a raw, almost savage energy. The subject’s eyes are wide and wild, his mouth agape in what could be a scream of fear, anger, or astonishment. The deep, dark tones of the charcoal add a textural depth to the work, emphasizing the dramatic expression and making the image almost palpable in its intensity.Wiener's choice of a close-up on the face, framed by a shadowy, undefined background, directs the viewer’s attention entirely on the emotional state of the character. The lack of context about the exact nature of the film or the scene being depicted invites viewers to fill the void with their own interpretations, prompting a personal engagement with the artwork.This powerful drawing not only showcases Wiener's mastery of charcoal to convey intense human emotions but also reflects the universal capacity of art to communicate across cultural and linguistic barriers.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Karl Wiener
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Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.

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