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Ohne Titel (Laubbaum in Landschaft) (around 1924) reproduction of painting by Karl Wiener. ALL GICLEE PRINTS

Ohne Titel (Laubbaum in Landschaft) (around 1924)

Karl Wiener
Technique: Giclée quality print
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Explore the pastoral calm and serene landscape of Karl Wiener's "Ohne Titel (Laubbaum in Landschaft)," a masterpiece that hails from around 1924. This enchanting painting captures a solitary leafy tree standing proudly in the midst of a gently undulating landscape, its branches lush with greenery, suggesting the vitality of nature. The background features layered hills that create a sense of depth and tranquility, under a sky marked by soft, pastel clouds that bring an almost dreamlike quality to the scene.Karl Wiener expertly employs a subtle palette to evoke a timeless piece of the countryside, where the harmonious interplay of light and shade invites viewers to pause and reflect. The use of texture in the depiction of the tree’s foliage contrasts beautifully with the smoother treatment of the sky and distant hills, contributing to a vivid perception of the natural world.This painting, marked only with the initials 'KW', is a testament to Wiener's skill in capturing the essence and mood of a landscape, inviting admirers to lose themselves in a peaceful, rustic setting that feels both intimate and expansive.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Karl Wiener
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Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.

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