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männlicher Akt VII (ca. 1926) reproduction of painting by Karl Wiener. ALL GICLEE PRINTS

männlicher Akt VII (ca. 1926)

Karl Wiener
Technique: Giclée quality print
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We are pleased to feature a significant work from the collection titled "Männlicher Akt VII" (Male Nude VII) by artist Karl Wiener, dated approximately 1926. This painting is a study in the subtlety of human form and the beauty of understated expression.In "Männlicher Akt VII", Wiener explores the strength and poise of the male figure. The subject is depicted from behind, offering a view that highlights the contours and muscles of the back, the curvature of the buttocks, and the sturdy lines of the legs. The subject stands upright and confident, evoking a sense of quiet dignity and introspection.The color palette used by Wiener is subdued, primarily focusing on natural flesh tones against a soft, unobtrusive background. This simplicity in color enhances the focus on the physical form and muscle definition, allowing the viewer to appreciate the anatomical details and the play of light and shadow.This artwork is a fine example of Wiener’s skill in capturing the human body, showing both his technical prowess and his sensitivity towards portraying the natural elegance of the human form.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Karl Wiener
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Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.

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