Komposition aus ‘Pflaster und Wiese’ VII (1924)

Technique: Giclée quality print
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More about this artwork

Karl Wiener’s painting, "Komposition aus ‘Pflaster und Wiese’ VII," created in 1924, captures a compelling urban landscape that invites viewers to reflect on the juxtaposition of nature and urbanization. This intriguing piece illustrates an array of tightly clustered buildings, executed in browns and yellows, their windows dotting the façades like countless watching eyes. Dominating the skyline above these uniform structures is a massive, swirling plume of purple smoke, adding a dynamic, almost living element to the static urban grid below.In the foreground, Wiener paints a contrasting calm with a patch of greenery—stylized trees in vibrant green that stand as silent sentinels overlooking the cobblestone pavement, which is textured with meticulous detail. The area between the urban sprawl and the green space is blurred, perhaps suggesting the intermingling or clash of manmade and natural environments.Wiener's use of bold colors and distinct borders enhances the visual impact of the scene, while the smoke—a symbol that might evoke thoughts of industry or change—looms suggestively, challenging the viewer to ponder its implications on the natural landscape.This piece is a perfect representation of Karl Wiener’s artistic exploration into themes of urbanization, environment, and the coexistence of the natural and the manufactured.

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Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.